Home → Releases → 2022, №3 (47) →

THE FUNCTION OF REMARKS AND AUXILIARY SPEECH: ON THE EXAMPLE OF CAO YU’S DRAMA «THE THUNDERSTORM»

Literary Science , UDC: 821.581 DOI: 10.25688/2076-913X.2022.47.3.02

Authors

  • Kondratova Tatiana Ivanovna PhD (Philology), docent
  • Saltanova Nadezhda Yu. PhD (Philology)

Annotation

The article examines the problem of genre transformation in Chinese drama of the first half of the XX century, identifies the features of the remarks and auxiliary author’s speech in creating a new conversational drama in China. On the example of the analysis of Cao Yu’s play «The Thunderstorm», the special functions of the dramatic work side text are proved: the expanded author’s descriptions, preceding the appearance of the heroes, are designed to create deeper psychological portraits of the characters.
Tags:
auxiliary author’s speech. , Cao Yu , Chinese drama of the XX century , conversational drama , function of remarks , play «The Thunderstorm»

How to link insert

Kondratova, T. I. & Saltanova, N. Y. (2022). THE FUNCTION OF REMARKS AND AUXILIARY SPEECH: ON THE EXAMPLE OF CAO YU’S DRAMA «THE THUNDERSTORM» Bulletin of the Moscow City Pedagogical University. Series "Pedagogy and Psychology", 2022, №3 (47), 22. https://doi.org/10.25688/2076-913X.2022.47.3.02
References
1. 1. Xalizev, V. E. (1999). Teoriya literatury`. Vy`sshaya shkola. (In Russ.).
2. 2. My`l`nikova, Yu. S. (2018). Predislovie. Kitajskaya drama XX–XXI vv. Giperion. (In Russ.).
3. 3. Kondratova, T. I. (2022). Kitajskaya dramaturgiya: problemy` tradicij i novatorstva. Obuchenie kitajskomu yazy`ku i kul`ture: proshloe, nastoyashhee i budushhee: sb. Nauch. st. Institut inostranny`x yazy`kov GAOU VO g. Moskvy` «Moskovskij gorodskoj pedagogicheskij universitet», 59–64. (In Russ.).
4. 4. Nikol`skaya, L. A. (1984). Cao Yu. Ocherk tvorchestva. MGU. (In Russ.).
5. 5. Chupry`na, O. G., Baranova, K. M., Merkulova, M. G. (2018). Sud`ba kak koncept v yazy`ke i kul`ture. Voprosy` kognitivnoj lingvistiki, 3 (56), 120–125. (In Russ.).
6. 6. Sun` Daman`, Fan` Syao Syao. (2020). Peresmotr tragedii Kateriny` i Fan`i v kontekste kitajskoj i russkoj kul`tur. Mir nauki, kul`tury`, obrazovaniya, 3 (82), 441–443. (In Russ.).
7. 7. Chzhan Isyan`. (2019). P`esa «Groza»: poe`tika russkoj i kitajskoj dramy`. Novosti nauki 2019: sbornik materialov VIII Mezhdunarodnoj ochno-zaochnoj nauchno-prakticheskoj konferencii. Imperiya, 16–21. (In Russ.).
8. 8. Borbot`ko, L. A. (2015). Tipograficheskie osobennosti avtorskogo metateksta v pechatnom teatral`nom tekste. Nauchny`j vestnik Voronezhskogo gosudarstvennogo arxitekturno-stroitel`nogo universiteta. Seriya: Sovremenny`e lingvisticheskie i metodikodidakticheskie issledovaniya, 4 (28), 73–81. (In Russ.).
9. 9. Vikulova, L. G., Borbot`ko, L. A. (2017). Kommunikativnoe prostranstvo teatra v lingvopragmaticheskoj paradigme. Yazy`kovoj diskurs v social`noj praktike: sbornik nauchny`x trudov Mezhdunarodnoj nauchno-prakticheskoj konferencii, Tver`, 07–08 Aprelya 2017 goda. Tverskoj gosudarstvenny`j universitet, 49–52. (In Russ.).
10. 10. Baranova, K. M., Fedorenko, O. Ya. (2020). Transformaciya motiva «nevinnost` » v amerikanskoj drame XX veka (na primere p`esy` T. Uil`yamsa «Prednaznacheno na slom»). MCU Journal of Philology. Theory of Linguistics. Linguistic Еducation, 3(39), 8–17. (In Russ.).
11. 11. Chexov, A. P. (1984). Vishnevy`j sad. Soch.: v 4 t. T. 4. M.: Pravda. (In Russ.).
12. 12. Cao Yu. (2018). Groza. Kitajskaya drama XX–XXI vv. Giperion. (In Russ.).
13. 13. Merkulova, M. G., Grigor`eva, M. A. (2019). Polozhenie zhenshhiny` v obshhestve: osnovny`e e`tapy` e`volyucii temy` v dramaturgii G. A. Dzhonsa. MCU Journal of Philology. Theory of Linguistics. Linguistic Еducation, 2 (34), 19–29. (In Russ.).
14. 14. Popov, O. P. (2012). Kitajskaya literatura. Artkras. (In Russ.).
Download file .pdf 365.76 kb